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First Roma Pavilion presented in London

London, November 16, 2007 –- Time of the Gypsies? was an evening of debate, art and music organized in the London’s Frontline Club on November 16. 

One of the purposes of the event put together by the Media Diversity Fund, The First Roma Pavilion, OSF-London, and the Italian partner ArteFacta, was to present the Pavilion to those on the London art scene who could not visit Venice this summer. 

Virtual presentation of the Roma Pavilion, designed by ArteFacta, the author of the Virtual Biennale project, was hosted by Delaine Le Bas, one of the artists presented in Paradise Lost, and ArteFacta Director Stefano Scialotti.

Stefano Scialotti introduced the Virtual Biennale project featuring more then 360 short movies about various pavilions at the 52nd Venice Biennale, posted on the ArteFacta website. After the short presentation, Stefano Scialotti zoomed into the Roma Pavilion by using the Google Map of Venice broadcasted on a big screen in the Frontline Club.

In a matter of seconds the Google map was replaced by one of the ten ArteFacta movies featuring the Roma Pavilion.  The camera, from the perspective of a visitor walking into the Pavilion and viewing the exhibition, was slowly moving over the artworks, followed by music especially composed for the project…

Delaine Le Bas was simultaneously introducing the artists featured on the films, and their art.

The presentation was followed by numerous questions. One of the guests in the audiencewas Paolo De Grandis, art curator from Venice, who happened to be in London at the time of the event.  He spoke about the development of the idea of Biennale’s collateral events (Roma Pavilion is one of them), which originated only several years ago and in the meantime became a significant part of the Biennale.

Paolo De Grandis emphasized the importance of the First Roma Pavilion and the way in which it challenged the Biennale’s nation-state structure. 

The other purpose of the event was to engage in a debate about the portrayal of Roma in the UK media and the persisting romantic and/or demonizing stereotypes perpetuated about them by the mainstream media. 

The media panel that started after a short break had the following speakers: Delaine le Bas, British artist represented at Paradise Lost-The First Roma Pavilion at the Venice Biennale; Jake Bowers, Romani journalist, presenter of Rokker Radio, BBC;  Orhan Galjus, Romani activist, film producer and journalist, Kosovo/The Netherlands; Clair Frachon, PANOS Institute Paris. Moderator was Joy Frances, Managing Director, The Creative Collective, London.

Each of the panelists gave a specific introduction into the topic, from the point of view of an artist (Le Bas), activist (Galjus), researcher (Frachon), journalist and activist (Bowers).

A review of the British tabloids’ reporting on Roma provided by Jake Bowers was a sad eye-opener.  The way that the Sun (the daily with one of the largest number of teenage readers in the UK) writes about the travelers would be impossible in most, if any, of the Central and Eastern European tabloids, except maybe in far-right publications. 

After the debate Gabi Jimenez played guitar and two DJs spun international Gypsy music till late evening.   

The house was full from 6pm when the virtual presentation of the Pavilion started, until 11pm when the last music-lovers left.

The room, which accommodates 130, was constantly full.  The audience was frequently changing, with different visitors coming to see particular segments of the program and leaving to free place for newcomers to join. 

Among them were many art lovers, university professors from Roma or journalism departments, representatives of civil society, Roma people, and the media.

 

 





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