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Toronto Star, Daily, Canada, June 16, 2007
For one thing, the pavilion – actually the grimy Palazzo Pisani, a vast pile of weathered stone nearly lost in labyrinthine back alleys – represents a fiction. With its collection of artists from eight European democracies, Paradise Lost is an exhibition, angry and hugely alive, of a boundary-defying culture, "otherwise known as Gypsy."
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